October 11, 3:00-5pm
Limited to 3 participants

Non-Members: $100
Aurora Members: Free, registration required, email to reserve your spot

If you’ve made a black & white print before, this workshop is a great refresher on technique and will show you how to maximize the tools in Aurora’s darkroom. If this is your first time, or if you’ve only watched a couple videos online, the small size of this workshop makes it ideal for asking questions and getting comfortable with the process.

Covered in the workshop:

* Selecting negatives to print
* Operating the enlarger, easel, grain focuser and other equipment
* Making a test strip
* Proper technique with the chemistry trays
* Care, storage, and handling of negatives and prints

All chemistry, paper, and equipment are included in the price of the workshop. During the workshop, you will create 1-3 prints.

For more information and to register email info@auroraphoto.org.

October 11, 1-2:30pm
Limited to 3 participants

Aurora Members: Free, registration required, email info@auroraphoto.org to reserve your spot

Non-Members: $100. Email for invoice

Even if you’ve developed black & white film before, this workshop is a great refresher on technique and will show you how to maximize the tools in Aurora’s darkroom. If this is your first time, or if you’ve only watched a couple videos online, the small size of this workshop makes it ideal for asking questions and getting comfortable with the process.

Please note: This workshop is for 35mm and 120mm black & white film only. Please check our Alternative and Historic Process Workshops page for current offerings on 4 x 5 film photography.

Covered in the workshop:

* Loading film correctly onto plastic or metal reels
* Mixing black & white chemistry properly
* Learning the importance of timing, temperature, and agitation
* Reading your negatives to select frames for printing
* Proper care, storage, and handling of negatives

All chemistry and equipment are included in the price of the workshop. During the workshop, you will develop one roll of 35mm and 120mm black & white film, dry it, and store it in a plastic negative sleeve ready to make a contact sheet or enlargements.

For more information, click here.

October 10, 1-4pm
Limited to 10 participants

Non-Members: $110
Aurora Members: $100
(Enter Member VIP code at checkout for discount)

Please join Erin Patton McFarren for this two-part workshop on printing cyanotypes on fabric and the wet cyanotype process with pigments. Cyanotype is a camera-less photography made out in the sun, rather than in a darkroom. You place objects — such as plants — on top of a piece of photo-treated fabric, and then use the sun to expose the fabric. The result is an image that is an exact outline of the objects in your composition.

In the workshop, we will mix and apply light sensitive chemistry on a 16-inch cotton handkerchief. You will then create a composition on the fabric using flowers and plants we will have on hand, or bring your own objects to use in your composition. After exposing the image you will have a unique fabric cyanotype featuring the brilliant blue color that is the hallmark of the process.

While the chemistry dries on our fabric handkerchiefs, we will explore the “wet cyanotype” process, enhancing our images with powdered watercolor and dyes to introduce flowing colors beyond the traditional Prussian blue.

A wet cyanotype begins like a traditional cyanotype, with objects such as leaves and flowers placed on the sensitized surface. Then, dry pigments are applied, followed by a spray of dyes and soap bubbles. The piece is wrapped in plastic wrap and exposed to sunlight, allowing swirling liquids and blending colors to create dynamic, organic patterns.

For more information and to register, click here or visit our Workshops page at auroraphoto.org.

For October First Friday, exhibiting artist Tomiko Jones will be in the gallery for questions and conversation about her series, These Grand Places and Field Notes, on view at Aurora PhotoCenter through November 20.

These Grand Places began in 2017 when Jones saw a list of federally-protected public land to be reviewed for de-regulation. At sites spanning Arizona, Utah, New Mexico, and California, she immersed herself in these vulnerable landscapes to consider how the concepts of public land and national identity relate to each other — who belongs, what land is viewed as worthy of protection, and how politics and power shape America’s physical and social environment. These Grand Places celebrates the beauty of America while asking us to consider our collective ties to this place we call home, and to each other.

From September 4-October 23, 2026, a companion exhibition of Jones’ Field Notes is on view in Aurora’s Efroymson Gallery. Continuing her immersive, site-specific engagement to place, Jones will visit Indianapolis in late September 2026 to create new work in and around the city that will be added to the exhibition and Field Notes as it is completed.

Tomiko Jones’ photography and multidisciplinary installations explore social, cultural and geopolitical transitions, considering the twin crises of too much and too little in the age of climate change. Jones was awarded a 2025 Anonymous Was A Woman Environmental Art Grant for the socially engaged project These Grand Places, to be presented in a traveling mobile gallery with pop‑up exhibitions in fall 2026. She received the Grand Challenge Seed Grant from the University of Wisconsin–Madison School of Education (2019-2022) to develop These Grand Places, a photographic project on public land. She is the recipient of awards including the En Foco New Works Fellowship (New York, 2014), 4Culture and City Artists (Seattle, 2010), and Pépinières Européennes pour Jeunes Artistes (France, 2008). She was an invited resident artist at Museé Niépce in Chalon-Sur-Saône, France (2008), and selected for a project-specific Fellowship at The Camargo Foundation in Cassis, France (2009).

Jones received her MFA and Certificate in Museum Studies from the University of Arizona, Tucson, where she studied with Professors Sama Alshaibi and Frank Gohlke. She was formerly Associate Professor of Art at University of Wisconsin-Madison, Vilas Professorship, Early-Career Investigator Award (2024-27).  Her professional experience includes a Visiting Artist and Curator-in-Residence position at California Institute of Integral Studies in San Francisco, Assistant Professor and Photography Program Coordinator at Metropolitan State University of Denver, Mendocino College, New Mexico State University and Drury University Summer Institute for Visual Arts.

June 18, 7pm
Limited to 3 participants

Non-Members: $100
Aurora Members: Free, registration required, email to reserve your spot

This one-session workshop is designed to teach you how to make archival inkjet prints on our Canon P-1000, which prints sheets up to 17 x 25 inches. In the workshop, we will cover the essential steps necessary to create a beautiful, balanced print using Aurora’s digital lab. Participants will make 2 prints during the workshop on 11 x 14 Moab luster paper.

Covered in the workshop:

* Resolution, bit depth, and your print
* Which file formats are best for printing
* Using print profiles
* Previewing your print with soft proofing
* Making basic adjustments to brightness, contrast, and color balance
* Choosing the right paper for your image

For more information and to register email info@auroraphoto.org.

Weekend Workshop
September 25-27, 2026
Public Lecture: September 25
Workshop: September 26-27 (Limited to 14 participants; registration closes when filled)

Please join Aurora PhotoCenter for a very special masterclass with renowned author and advisor, Mary Virginia Swanson, as she provides an overview of the landscape for publishing photobooks today. Throughout this weekend workshop, she will explain options for artists, review participants' projects, and guide them to publishing scenarios that may be a good fit for their work.

At the start of Day One of the workshop, Swanson will expand on options for bringing your photographic projects to the book form that were presented in Friday night’s required lecture. She will provide deeper details on publishers and paths to research that are best for you and your work. Photobook publishing grants and book dummy award competitions will be discussed, along with important factors to consider when choosing to self-publish your book. Swanson will conclude the lecture component of Day One with a discussion on the art and commerce of publishing your book. Swanson will provide fundraising and sponsorship options to consider ahead of making production decisions, and review terms likely to be in a formal publishing contract. She will share the pros/cons of marketing your book at its release and beyond, stressing the importance of a strong web and social media presence, as well as the value of public presentations and print exhibitions to extend the life of your book.

We will then turn to physical books gathered in our classroom. Swanson will share examples of innovative books from her personal library of books that were traditionally published, produced by small presses, and self-published. Together we will discuss this wide range of books, which will include zines, newsprint, hand-made artists’ books and self-published books produced in collaboration with production studios. Swanson will highlight examples that demonstrate wise sequencing and employ production materials and binding structures that amplify the project content.

Mary Virginia Swanson is an author, educator, and advisor who has spent her career helping lens-based artists find the strengths in their work, identify audiences, and present their work in a timely, professional manner.

Swanson is the co-author with Darius D. Himes of Publish Your Photography Book. First released in 2011 and now in its updated 3rd edition, (Radius Books, 2023, Korean language 2024 from Datz Press) this acclaimed resource has helped countless photographers bring their projects to publication. The dedicated website for the book offers extensive free & downloadable resources to help photographers on their publishing or self-publishing journey, including a 32-page workbook: www.publishyourphotographybook.com.

Swanson is an active member of the contemporary photobook community, having recently engaged with bookmaking and publishing communities in India, Korea, and Japan. She frequently serves as a portfolio reviewer and Juror for contemporary photography and photobook competitions and teaches workshops to help artists prepare for publication of their projects.

Weekend Workshop
September 25-27, 2026
Public Lecture: September 25
Workshop: September 26-27 (Limited to 14 participants; registration closes when filled)

Please join Aurora PhotoCenter for a very special masterclass with renowned author and advisor, Mary Virginia Swanson, as she provides an overview of the landscape for publishing photobooks today. Throughout this weekend workshop, she will explain options for artists, review participants' projects, and guide them to publishing scenarios that may be a good fit for their work.

At the start of Day One of the workshop, Swanson will expand on options for bringing your photographic projects to the book form that were presented in Friday night’s required lecture. She will provide deeper details on publishers and paths to research that are best for you and your work. Photobook publishing grants and book dummy award competitions will be discussed, along with important factors to consider when choosing to self-publish your book. Swanson will conclude the lecture component of Day One with a discussion on the art and commerce of publishing your book. Swanson will provide fundraising and sponsorship options to consider ahead of making production decisions, and review terms likely to be in a formal publishing contract. She will share the pros/cons of marketing your book at its release and beyond, stressing the importance of a strong web and social media presence, as well as the value of public presentations and print exhibitions to extend the life of your book.

We will then turn to physical books gathered in our classroom. Swanson will share examples of innovative books from her personal library of books that were traditionally published, produced by small presses, and self-published. Together we will discuss this wide range of books, which will include zines, newsprint, hand-made artists’ books and self-published books produced in collaboration with production studios. Swanson will highlight examples that demonstrate wise sequencing and employ production materials and binding structures that amplify the project content.

Mary Virginia Swanson is an author, educator, and advisor who has spent her career helping lens-based artists find the strengths in their work, identify audiences, and present their work in a timely, professional manner.

Swanson is the co-author with Darius D. Himes of Publish Your Photography Book. First released in 2011 and now in its updated 3rd edition, (Radius Books, 2023, Korean language 2024 from Datz Press) this acclaimed resource has helped countless photographers bring their projects to publication. The dedicated website for the book offers extensive free & downloadable resources to help photographers on their publishing or self-publishing journey, including a 32-page workbook: www.publishyourphotographybook.com.

Swanson is an active member of the contemporary photobook community, having recently engaged with bookmaking and publishing communities in India, Korea, and Japan. She frequently serves as a portfolio reviewer and Juror for contemporary photography and photobook competitions and teaches workshops to help artists prepare for publication of their projects.

In conjunction with the weekend workshop, Bringing Your Photography Project to Publication: Masterclass with Mary Virginia Swanson, this lecture is free and open to the public.

Location: Herron School of Art Basile Center, 735 W New York St, Indianapolis, IN 46202

Free Event Parking: Sports Complex Garage (adjacent to Eskenazi Hall)

The journey to bring your completed project to the book form can take many paths. Join us for a richly illustrated “big picture” presentation, in which Mary Virginia Swanson will demystify the path to secure a publisher vs. choosing to self-publish a book of your photographs or other artwork. She will lend practical advice on determining which scenario would be the best path to publishing your work.

Swanson will outline the different types of publishers that are interested in photography and visual art books, and how to present your project to industry professionals. Similarly, the path to self-publishing will be examined, from building a team to aid with creative decisions to marketing and distribution of your book. Throughout her presentation, we will see an array of contemporary photography books and understand why these artists, who succeed in amplifying the content of their book through their wise publishing decisions, have created books that have made a difference in their careers.

Whether you dream of one day having a book of your artwork or your body of work is nearing completion and your sites are set on publication of the work, this lecture will be useful to you. The lecture is also open to the public, so please invite family and friends. It will be followed by a Q&A, so bring your questions.

Mary Virginia Swanson is an author, educator, and advisor who has spent her career helping lens-based artists find the strengths in their work, identify audiences, and present their work in a timely, professional manner.

Swanson is the co-author with Darius D. Himes of Publish Your Photography Book. First released in 2011 and now in its updated 3rd edition, (Radius Books, 2023, Korean language 2024 from Datz Press) this acclaimed resource has helped countless photographers bring their projects to publication. The dedicated website for the book offers extensive free & downloadable resources to help photographers on their publishing or self-publishing journey, including a 32-page workbook: www.publishyourphotographybook.com.

Swanson is an active member of the contemporary photobook community, having recently engaged with bookmaking and publishing communities in India, Korea, and Japan. She frequently serves as a portfolio reviewer and Juror for contemporary photography and photobook competitions and teaches workshops to help artists prepare for publication of their projects.

Code for free parking provided at the event, sponsored by The Great Frame Up
This event is organized by Aurora PhotoCenter and hosted by Herron Galleries

The Thursday Night Photobook Throwdown is the photobook share you crave! Bring your newest photobook, or the one you’ve recently fallen in love with again, for an evening of sharing, conversation, and appreciation for this format for photography that is an art form in and onto itself.

Don’t have a book in mind to share? Not to worry — you can also comb through Aurora’s photobook library of over 300 titles for a wildcard if you’re feeling lucky that night.

We will start at the tables in the Aurora PhotoCenter Gallery, Suite C9, and then migrate down to a close-by watering hole when the mood strikes us or 7pm, whichever comes first!

In collaboration with Arte Mexicano en Indiana, Aurora is pleased to present this talk with artist Maximino Eslava, who in addition to his artistic practice is active in our Indy arts community through his service on the board of AIGA Indy, being part of the media team on Chreece, organizing the Creatives in Color exhibition and speakers series, and participating in the Latino Artist Mentorship Program (LAMP). Eslava’s work was recently exhibited as part of the exhibition De Aquí y De Allá (From Here and There) at the Eiteljorg Museum, and exhibition that explored what it means to be the product of two cultures.

Maximino Eslava is a Mexican-American photographer based in Indianapolis, IN. His creative journey began with a pile of crayons and markers, where he did his best to use as many colors as he could to complete the images he imagined. As a teen, he found an appreciation for photography, a medium that connected him to his own family history, as his grandfather also shared this passion. Through photography, Maximino aims to capture feelings and moments within images and portray the essence of a person.

September 13, 3-5pm
Limited to 3 participants

Non-Members: $100
Aurora Members: Free, registration required, email to reserve your spot

This one-session workshop is designed for you to learn the basics of scanning — from archiving old pictures to converting your old negatives. Turn your old memories into digital files that you can share with your friends and family!

Covered in the workshop:

*Flatbed scanning
*Digital camera scanning (DSLR Scanning)
*File saving guidelines
*Cleaning and loading film holders
*Troubleshooting scans (dust, blurriness, color shifts)

What to bring to the workshop:

*Photo or document of your choice
*Developed color, black & white, or slide film
*Flash drive or other storage medium to store your scans

Prior knowledge of scanning is not necessary for this workshop. This workshop is best suited to artists 16+ years old; minors must be accompanied by an adult. 

For more information and to register email info@auroraphoto.org.

September 13, 1-2:30pm
Limited to 3 participants

Non-Members: $100
Aurora Members: Free, registration required, email to reserve your spot

More and more, photographers who shoot color film are opting to develop their own film rather than spending the time, energy, and money to send it off to a lab. Developing color film is a whole other world from developing black & white film, with different chemistry, techniques, and concerns. If you’ve developed color film before, this workshop is a great refresher on technique and will show you how to maximize the tools in Aurora’s darkroom. If this is your first time, or if you’ve only watched a couple videos online, the small size of this workshop makes it ideal for asking questions and getting comfortable with the process.

Please note: This workshop is for 35mm and 120mm color film only. 

Covered in the workshop:

* Loading film correctly onto plastic or metal reels
* Mixing color chemistry for success
* Knowing the importance of timing, temperature, and agitation
* Reading your negatives to select frames for printing
* Proper care, storage, and handling of negatives

All chemistry and equipment are included in the price of the workshop. During the workshop, you will develop one roll of 35mm and 120mm color film, dry it, and store it in a plastic negative sleeve ready to scan.

For more information and to register, email info@auroraphoto.org.

September 6, 3:00-5pm
Limited to 3 participants

Non-Members: $100
Aurora Members: Free, registration required, email to reserve your spot

If you’ve made a black & white print before, this workshop is a great refresher on technique and will show you how to maximize the tools in Aurora’s darkroom. If this is your first time, or if you’ve only watched a couple videos online, the small size of this workshop makes it ideal for asking questions and getting comfortable with the process.

Covered in the workshop:

* Selecting negatives to print
* Operating the enlarger, easel, grain focuser and other equipment
* Making a test strip
* Proper technique with the chemistry trays
* Care, storage, and handling of negatives and prints

All chemistry, paper, and equipment are included in the price of the workshop. During the workshop, you will create 1-3 prints.

For more information and to register email info@auroraphoto.org.

September 6, 1-2:30pm
Limited to 3 participants

Aurora Members: Free, registration required, email info@auroraphoto.org to reserve your spot

Non-Members: $100. Email for invoice

Even if you’ve developed black & white film before, this workshop is a great refresher on technique and will show you how to maximize the tools in Aurora’s darkroom. If this is your first time, or if you’ve only watched a couple videos online, the small size of this workshop makes it ideal for asking questions and getting comfortable with the process.

Please note: This workshop is for 35mm and 120mm black & white film only. Please check our Alternative and Historic Process Workshops page for current offerings on 4 x 5 film photography.

Covered in the workshop:

* Loading film correctly onto plastic or metal reels
* Mixing black & white chemistry properly
* Learning the importance of timing, temperature, and agitation
* Reading your negatives to select frames for printing
* Proper care, storage, and handling of negatives

All chemistry and equipment are included in the price of the workshop. During the workshop, you will develop one roll of 35mm and 120mm black & white film, dry it, and store it in a plastic negative sleeve ready to make a contact sheet or enlargements.

For more information, click here.

August 27, 7pm
Limited to 3 participants

Non-Members: $100
Aurora Members: Free, registration required, email to reserve your spot

This one-session workshop is designed to teach you how to make archival inkjet prints on our Canon P-1000, which prints sheets up to 17 x 25 inches. In the workshop, we will cover the essential steps necessary to create a beautiful, balanced print using Aurora’s digital lab. Participants will make 2 prints during the workshop on 11 x 14 Moab luster paper.

Covered in the workshop:

* Resolution, bit depth, and your print
* Which file formats are best for printing
* Using print profiles
* Previewing your print with soft proofing
* Making basic adjustments to brightness, contrast, and color balance
* Choosing the right paper for your image

For more information and to register email info@auroraphoto.org.

Aurora with SPARK on Monument Circle
Free and open to the public

SPARK, the pop-up park on Indy’s Monument Circle, is the downtown place to meet, enjoy the beautiful weather and people, and create. Aurora will be at the SPARK art kiosk close to the info booth in the middle of the park hosting a free & fun cyanotype session.

Cyanotype is a camera-less photography made out in the sun, rather than in a darkroom. You place objects — such as plants — on top of a piece of photo-treated paper, and then use the sun to expose the paper. The result is an image that is an exact outline of the object. It’s a fun and magical way to engage photography! Although it may be new to modern people, cyanotype has been around since photography was invented in the 1800s.

Come explore the creative possibilities of this fascinating process. We will have some objects on hand to experiment with, but feel free to bring your own. Flat items usually work best, and cyanotype can be messy, so precious things like family heirlooms should probably stay at home. All other necessary materials will be provided free at the workshop.

This activity is best suited for artists 7+ years old; minors must be accompanied by an adult.

August 16, 3-5pm
Limited to 3 participants

Non-Members: $100
Aurora Members: Free, registration required, email to reserve your spot

This one-session workshop is designed for you to learn the basics of scanning — from archiving old pictures to converting your old negatives. Turn your old memories into digital files that you can share with your friends and family!

Covered in the workshop:

*Flatbed scanning
*Digital camera scanning (DSLR Scanning)
*File saving guidelines
*Cleaning and loading film holders
*Troubleshooting scans (dust, blurriness, color shifts)

What to bring to the workshop:

*Photo or document of your choice
*Developed color, black & white, or slide film
*Flash drive or other storage medium to store your scans

Prior knowledge of scanning is not necessary for this workshop. This workshop is best suited to artists 16+ years old; minors must be accompanied by an adult. 

For more information and to register email info@auroraphoto.org.

August 16, 1-2:30pm
Limited to 3 participants

Non-Members: $100
Aurora Members: Free, registration required, email to reserve your spot

More and more, photographers who shoot color film are opting to develop their own film rather than spending the time, energy, and money to send it off to a lab. Developing color film is a whole other world from developing black & white film, with different chemistry, techniques, and concerns. If you’ve developed color film before, this workshop is a great refresher on technique and will show you how to maximize the tools in Aurora’s darkroom. If this is your first time, or if you’ve only watched a couple videos online, the small size of this workshop makes it ideal for asking questions and getting comfortable with the process.

Please note: This workshop is for 35mm and 120mm color film only. 

Covered in the workshop:

* Loading film correctly onto plastic or metal reels
* Mixing color chemistry for success
* Knowing the importance of timing, temperature, and agitation
* Reading your negatives to select frames for printing
* Proper care, storage, and handling of negatives

All chemistry and equipment are included in the price of the workshop. During the workshop, you will develop one roll of 35mm and 120mm color film, dry it, and store it in a plastic negative sleeve ready to scan.

For more information and to register, email info@auroraphoto.org.

This amazing weekend workshop gets you hands-on with the beautiful, historical photographic processes tintypes (positives on metal) and ambrotypes (positives on glass). Workshop leader Rashod Taylor, who has been working with these wet plate processes for over 13 years, will show you how to create tintypes and ambrotypes from start to finish — no prior photography experience required — all are welcome, beginners to advanced!  

During the weekend, we will make images with the wet plate processes, both indoors and outdoors, weather permitting, allowing you to experiment with landscape, still life, and portraiture. Along the way, Taylor will share fundamentals about working with 4 x 5 cameras as well as coating the plates, making correct exposures with wet plate, processing the plates, and finally, finishing, varnishing, and storage for archival preservation of your images. We will process plates in Aurora’s renovated darkroom as well as outdoors in a mobile darkroom tent, offering a wide variety of wet plate experiences and plenty of room for experimentation.

All materials and cameras will be provided, but if you would like to bring your own 4 x 5 camera or any other materials to work with, you are welcome to do so.  

For more information about the workshop and to register, please click here.

This amazing weekend workshop gets you hands-on with the beautiful, historical photographic processes tintypes (positives on metal) and ambrotypes (positives on glass). Workshop leader Rashod Taylor, who has been working with these wet plate processes for over 13 years, will show you how to create tintypes and ambrotypes from start to finish — no prior photography experience required — all are welcome, beginners to advanced!  

During the weekend, we will make images with the wet plate processes, both indoors and outdoors, weather permitting, allowing you to experiment with landscape, still life, and portraiture. Along the way, Taylor will share fundamentals about working with 4 x 5 cameras as well as coating the plates, making correct exposures with wet plate, processing the plates, and finally, finishing, varnishing, and storage for archival preservation of your images. We will process plates in Aurora’s renovated darkroom as well as outdoors in a mobile darkroom tent, offering a wide variety of wet plate experiences and plenty of room for experimentation.

All materials and cameras will be provided, but if you would like to bring your own 4 x 5 camera or any other materials to work with, you are welcome to do so.  

For more information about the workshop and to register, please click here.

In this interactive talk, Indianapolis-based artists Chris Hill and Joshua A.M. Ross are in conversation about their latest work while also encouraging a larger communal conversation around art practice and images.

Chris Hill is a photographer and educator living and working in Indianapolis, Indiana. Hill’s photo-based work addresses the way marginalized people are depicted in public spaces. From training his lens on advertising and signage in front of businesses catering to Black customers, to integrating images from art history, Hill examines the way personhood is projected and conveyed.

Joshua A.M. Ross holds an MFA in Art from the University of California, Irvine, and a BFA in Photography from Herron School of Art in Indianapolis, Indiana. His work explores the interplay between drawing and photography through notions of performance, occasioning sculptural and spatial interventions.

August 2, 3:00-5pm
Limited to 3 participants

Non-Members: $100
Aurora Members: Free, registration required, email to reserve your spot

If you’ve made a black & white print before, this workshop is a great refresher on technique and will show you how to maximize the tools in Aurora’s darkroom. If this is your first time, or if you’ve only watched a couple videos online, the small size of this workshop makes it ideal for asking questions and getting comfortable with the process.

Covered in the workshop:

* Selecting negatives to print
* Operating the enlarger, easel, grain focuser and other equipment
* Making a test strip
* Proper technique with the chemistry trays
* Care, storage, and handling of negatives and prints

All chemistry, paper, and equipment are included in the price of the workshop. During the workshop, you will create 1-3 prints.

For more information and to register email info@auroraphoto.org.

August 2, 1-2:30pm
Limited to 3 participants

Aurora Members: Free, registration required, email info@auroraphoto.org to reserve your spot

Non-Members: $100. Email for invoice

Even if you’ve developed black & white film before, this workshop is a great refresher on technique and will show you how to maximize the tools in Aurora’s darkroom. If this is your first time, or if you’ve only watched a couple videos online, the small size of this workshop makes it ideal for asking questions and getting comfortable with the process.

Please note: This workshop is for 35mm and 120mm black & white film only. Please check our Alternative and Historic Process Workshops page for current offerings on 4 x 5 film photography.

Covered in the workshop:

* Loading film correctly onto plastic or metal reels
* Mixing black & white chemistry properly
* Learning the importance of timing, temperature, and agitation
* Reading your negatives to select frames for printing
* Proper care, storage, and handling of negatives

All chemistry and equipment are included in the price of the workshop. During the workshop, you will develop one roll of 35mm and 120mm black & white film, dry it, and store it in a plastic negative sleeve ready to make a contact sheet or enlargements.

For more information, click here.

Aurora with SPARK on Monument Circle
Free and open to the public

SPARK, the pop-up park on Indy’s Monument Circle, is the downtown place to meet, enjoy the beautiful weather and people, and create. Aurora will be at the SPARK art kiosk close to the info booth in the middle of the park hosting a free & fun cyanotype session.

Cyanotype is a camera-less photography made out in the sun, rather than in a darkroom. You place objects — such as plants — on top of a piece of photo-treated paper, and then use the sun to expose the paper. The result is an image that is an exact outline of the object. It’s a fun and magical way to engage photography! Although it may be new to modern people, cyanotype has been around since photography was invented in the 1800s.

Come explore the creative possibilities of this fascinating process. We will have some objects on hand to experiment with, but feel free to bring your own. Flat items usually work best, and cyanotype can be messy, so precious things like family heirlooms should probably stay at home. All other necessary materials will be provided free at the workshop.

This activity is best suited for artists 7+ years old; minors must be accompanied by an adult.

July 23, 7pm
Limited to 3 participants

Non-Members: $100
Aurora Members: Free, registration required, email to reserve your spot

This one-session workshop is designed to teach you how to make archival inkjet prints on our Canon P-1000, which prints sheets up to 17 x 25 inches. In the workshop, we will cover the essential steps necessary to create a beautiful, balanced print using Aurora’s digital lab. Participants will make 2 prints during the workshop on 11 x 14 Moab luster paper.

Covered in the workshop:

* Resolution, bit depth, and your print
* Which file formats are best for printing
* Using print profiles
* Previewing your print with soft proofing
* Making basic adjustments to brightness, contrast, and color balance
* Choosing the right paper for your image

For more information and to register email info@auroraphoto.org.

June 28, 3-5pm
Limited to 3 participants

Non-Members: $100
Aurora Members: Free, registration required, email to reserve your spot

This one-session workshop is designed for you to learn the basics of scanning — from archiving old pictures to converting your old negatives. Turn your old memories into digital files that you can share with your friends and family!

Covered in the workshop:

*Flatbed scanning
*Digital camera scanning (DSLR Scanning)
*File saving guidelines
*Cleaning and loading film holders
*Troubleshooting scans (dust, blurriness, color shifts)

What to bring to the workshop:

*Photo or document of your choice
*Developed color, black & white, or slide film
*Flash drive or other storage medium to store your scans

Prior knowledge of scanning is not necessary for this workshop. This workshop is best suited to artists 16+ years old; minors must be accompanied by an adult. 

For more information and to register email info@auroraphoto.org.

July 19, 1-2:30pm
Limited to 3 participants

Non-Members: $100
Aurora Members: Free, registration required, email to reserve your spot

More and more, photographers who shoot color film are opting to develop their own film rather than spending the time, energy, and money to send it off to a lab. Developing color film is a whole other world from developing black & white film, with different chemistry, techniques, and concerns. If you’ve developed color film before, this workshop is a great refresher on technique and will show you how to maximize the tools in Aurora’s darkroom. If this is your first time, or if you’ve only watched a couple videos online, the small size of this workshop makes it ideal for asking questions and getting comfortable with the process.

Please note: This workshop is for 35mm and 120mm color film only. 

Covered in the workshop:

* Loading film correctly onto plastic or metal reels
* Mixing color chemistry for success
* Knowing the importance of timing, temperature, and agitation
* Reading your negatives to select frames for printing
* Proper care, storage, and handling of negatives

All chemistry and equipment are included in the price of the workshop. During the workshop, you will develop one roll of 35mm and 120mm color film, dry it, and store it in a plastic negative sleeve ready to scan.

For more information and to register, email info@auroraphoto.org.

The Thursday Night Photobook Throwdown is the photobook share you crave! Bring your newest photobook, or the one you’ve recently fallen in love with again, for an evening of sharing, conversation, and appreciation for this format for photography that is an art form in and onto itself.

Don’t have a book in mind to share? Not to worry — you can also comb through Aurora’s photobook library of over 300 titles for a wildcard if you’re feeling lucky that night.

We will start at the tables in the Aurora PhotoCenter Gallery, Suite C9, and then migrate down to a close-by watering hole when the mood strikes us or 7pm, whichever comes first!

July 12, 3:00-5pm
Limited to 3 participants

Non-Members: $100
Aurora Members: Free, registration required, email to reserve your spot

If you’ve made a black & white print before, this workshop is a great refresher on technique and will show you how to maximize the tools in Aurora’s darkroom. If this is your first time, or if you’ve only watched a couple videos online, the small size of this workshop makes it ideal for asking questions and getting comfortable with the process.

Covered in the workshop:

* Selecting negatives to print
* Operating the enlarger, easel, grain focuser and other equipment
* Making a test strip
* Proper technique with the chemistry trays
* Care, storage, and handling of negatives and prints

All chemistry, paper, and equipment are included in the price of the workshop. During the workshop, you will create 1-3 prints.

For more information and to register email info@auroraphoto.org.

July 12, 1-2:30pm
Limited to 3 participants

Aurora Members: Free, registration required, email info@auroraphoto.org to reserve your spot

Non-Members: $100. Email for invoice

Even if you’ve developed black & white film before, this workshop is a great refresher on technique and will show you how to maximize the tools in Aurora’s darkroom. If this is your first time, or if you’ve only watched a couple videos online, the small size of this workshop makes it ideal for asking questions and getting comfortable with the process.

Please note: This workshop is for 35mm and 120mm black & white film only. Please check our Alternative and Historic Process Workshops page for current offerings on 4 x 5 film photography.

Covered in the workshop:

* Loading film correctly onto plastic or metal reels
* Mixing black & white chemistry properly
* Learning the importance of timing, temperature, and agitation
* Reading your negatives to select frames for printing
* Proper care, storage, and handling of negatives

All chemistry and equipment are included in the price of the workshop. During the workshop, you will develop one roll of 35mm and 120mm black & white film, dry it, and store it in a plastic negative sleeve ready to make a contact sheet or enlargements.

For more information, click here.